One at a time the masks come over my face. The outsides are beautiful, ridges and smooth planes of blue and red and summer green sprinkled heavily with motes of lambent gold. There are feathers and heavy drapes and winking amber eyes. Gorgeous. All I see of each is the smooth white plaster of the backside, the inverted face, then I am looking through the cut out eyes, becoming it through the looking and it becoming me.
Electric shocks. One, two, three. My finger is glued to the button and I don’t want to take it off anyways. In the next room a woman is screaming. Her screams are dark pleasure and I relish in them, swimming, drowning in the rich pain. She can’t see who I am. She sees a red and black unsmiling mouth framed in ostrich feathers.
I parade through these rooms in lynchings and orgies. Little by little I’m slipping away, leaving a piece of myself caught in the stiff, unmoving lips of each mask. I can feel it being torn away and am helpless to do anything but put on the next mask to ice away the throbbing pain.
Until at last I have torn away all my flesh and all that remains is a mass of pink muscle, chicken-wire nerves and maps of blue and red blood vessels. I am torn down to the barest body and open for anyone to glue a new face on me.
I hope it is as beautiful as my others.